obama. hopefulness. past present future. a humbling beginning. emotional light-headedness. a tingling reality. mania. vibrance, resonance, reciprocity. the un-calm of a generation. limitless.
this project explores the idea of color and the emotions that colors evoke. combining the theory of chromotherapy and text, this project is intended to push the audiences boundaries and comfort zones utilizing only two very minimal colors.
there are mornings i dive deep beneath my consciousness and hammer until solid at things that i will say when i catch you unguarded and surrendering to my presence [ as i surrendered to you].
hypothetically, this moment is ours but if i approach you from inside [as you approached me] with my hands around your neck [as yours were around mine] and lean in to allow the light to reflect from my eyes will reflect in yours. cheek bones in slow contact, brushing you with trepidation [“so close, but how?”]
valediction.
i have nothing to say. i have only to remind you that you were never up to me.
i am trying to understand how your heart operates. it is a remarkable machine, hurriedly competing over scarce resources, including, but not limited to, love by way of lust.
you are devoid of power, devoid of control, snatching it wherever you find it unguarded. and this stands as a barrier to your ability to participate in love.
you live life with a suspect heart that is manifested in a dramaturgic analysis of love within love.
and you can come, and come, and come to the same conclusions as i:
this is no longer [about] love. this is not [about] humanity.
this is anthropology. this is science.
the solution to your love[less] life is:
a redemption of the infrastructure of your heart as it is operating from finite resources, including but not limited to physically and emotionally violent men.
it is volcanic, an eruption for disaster. it has turned your heart blue, then olive, gray, orange, then cold, steel.
my obsession with your machination proved to be detrimental to my survival, you see. i found little truth on which to live in your mechanical metal heart and so died. but not before seeing a reflection in the mirror of its hardened walls.
yes. you, and i, we were real. but my time as your tortured heart has become exhausted, outmoded.
and as you read the cold disconnect of my words, i am sure that you feel me in a way that you never felt me before. you won’t feel me again.
my eyes are red from the inside out from the way my brain is crying they are lodged like a smoke clogged traffic jam in my throat i can feel the poison, invisible as it is, creep into my lungs a cold monoxide of frozen blue/black preying on the warmth of heart
i wish i could cremate my heart and jump start it with the fuel of ashes blow the black flakes everywhere and make it snow with fire
i want to escape these veins, these millions of capillaries which soak my essence like a sponge, a vampire of foaming hexagons that hold hostage my blood, the compassion that is my greatest pain
i want it out, this feel[th]ing someone has left in me maybe just another sigh, another cough just to blow my soul out like a forest through the eye of a needle
i am distracted throughout the day i keep forgetting that i am supposed to talk, walk and let the electricity run courses through my circuits turn off, turn around, or turn the corner
i only wanted to fill my spaces with birds and trees, flowers and butterflies that would sing me lullabies and cradle me like the only baby doll in the world
instead i am coming close to roaming where the periods mingle with the question marks
she cut me. how could she? how could she cut me? out.
copyright JANEisnotplain 8.28.08 on the end of what i thought was true.
it was just the two of us our sex and our despair all day (accompanied by a few other pleasures, sins).
photographs and shots, just bits of pretending to be okay for moments at a time.
there was dancing and singing there was food and music but mostly, there were lots of things under the surface that cannot be explained or simplified under the influence of anything more than a certain pain that mostly goes unspoken because words are just too simple.
i don’t consider [my] Self to be [any] Thing or Person in partic[u]le [ar] other than [my]Self
yet here i am in my physical reality relying on this existence of all matter in order to continue to matter no matter the person or partic[u]le [ar] [con] sequence my matter will never be destroyed but rather assimilated into infinite energy embraced by matter [less] external consciousness
i am where time and space are just monitors of infinity [no] Thing[s] exists singly but as particles of awareness and [Be]ing that transcends making [Be]lieve
sometimes music is like hard poetry obscure, obfuscating, obsidian [un]familiar sounds composing
it sounds like god more than like anything real
dante did not inspire me but mahler chases dante down the rabbit hole like a slipping fugitive running tripping shrieking pursued by a maniacal swarm of flutes and one first violin a devilish tritone that pulls at your heart explodes to escape their chests and lose the pulsing blast of trombone on skin low brass battling
sometimes poetry is like difficult music straightened up with lofty analysis adagietto, rondo, fugue
a symphonic poem of harmonic tape euphoric gauze two bright cymbals suspending in a paradise the artist can sometimes almost understand
i imagine escaping like this with laughter sealed in the hollow of your collar bone and fingers on the friction slope of your lips cursive kept under your tongue like a love letter
i want a rush of consonants and vowels and footsteps i cant retrace
but instead i have notebooks to balance with percentages schedules to show up for on time miles to cover without a breath things to stumble under
i smile i talk effervescence but i still cant find enough cotton to fill this small hole which whistles with sadness when i exhale
i don’t remember how to live without you but i am, i am, i am
JANEisnotplain 5.08
r's response
dear e, i've imagined escaping like this with laughter echoing through empty halls and fingers on instruments that no one hears my tongue moving with every solitary song
i want a rush of ideas and dreams recorded to visit again and again
and now i have schedules to show up for on time routines to settle into fresh air to breathe balconies to relax on
i smile i sing effervescence i weave the rainbow of my dreams around my aching heart to heal the lonely spaces
i still live within you and you are in me, in me, in me
please accept this submission not because [i]t is good but because i am afraid of not being what they predicted because i am a sparrow trying to fit in amongst lions because i am more of a semi-colon than a period because my poems are blown more like opaque glass than broken pearls because i am a finger-painting they have created because last night velazquez spoke to me in the present progressive and told me to patch the roof with risk and intention please accept this submission because god help me, i have tried
quietly and unremarkably love you, i practice being where i am if i invent you i already learned a way to recollect the major moments of happiness, the minor tree branch, the live wings changing how our lawn poses statu[e]s of collective nouns imposed thus far without such various coordinating conjunctions are not equal to the task is being, knowing and valuing whole this is here, so this embedded presence defines present tense as real and legitimate with and without each other one of us
you think you’ve pinned me. but you haven’t. you haven’t at all. perhaps i could do with fewer masks but you could do with a closer, less judgmental look
the lines of light follow the destination of coveted importance reliance on the slimming derivatives of newton’s escapism is so far beyond cognition that it may in fact be light years away from chemical bound sanity such that if nirvana came in a pill form the reality of abnormalities would in fact be infinite
*where F is force, m is mass and a is acceleration
there is a difference amid the blues and greys the blues and reds the black[s] and white[s] in the yellows of day but its difficult still to find the ephemeral dissident in my temporary but hopeful abs[tin]ence